Alanis, you of all people oughta know what irony is.

In today’s entry, we’re gonna talk things, whatnots and somesuches. Cool? Cool!

Today I tried my first ever Fawaffle cone, a dish after my own heart. It was exactly what it sounded like and as delicious as the portmanteau was adorable. A waffle cone made of falafel. It’s a rad gluten-free option that gets protein into a come shaped format. Ever since the “meats in cones” discussion from There’s Something About Mary, I’ve been longing to sink my teeth into a crunchy waffly exterior to taste umami goodness within. It was like a savoury ice cream. Shredded chicken, cherry tomatoes, mint, avocado and spicy sauce. I’m sure it had way more calories than I was expecting, but boy oh boy did it fill a) my wish for a meaty cone and b) my stomach. I’m going out for tacos tonight. I can only imagine the salsa party in my belly.

There are so many things that I don’t know. 99% of these are not what I consider worth googling. If that’s not an entitled mindset, I don’t know what is. All sorts of stuff. Why do cyclists wear that lycra/spandex get up? Does it cut down on wind resistance? Is it super breathable? Does it dry quickly? Are there compression elements to it? Do people just think it looks cool? Or does it come with an aura of legitimacy? Do you feel like you ride faster if your top and bottom halves look thematically similar?

Releasing an album seems like a massive labour of love. Hundreds of hours of songwriting, practicing, performing, recording, mixing and all sorts of other stuff I’m sure I haven’t considered. I was listening to Basia Bulat’s most recent album, Good Advice. Her previous album, Tall Tall Shadow was fantastic. Emotionally stirring ballads, good danceable pop and an engaging through-line. I don’t feel the same way about Good Advice. Most critics didn’t feel the same way about Good Advice. My question is that when an album is to be released, how much disconnect is there between an artist and public perception? In this situation, how often does the artist genuinely believe that they’re putting out their best possible material? Do they phone it in just to get the album finished in time? Is there pressure from the record company to push it out and start selling? Could it be a matter of incorrectly gauging what it was about their previous music that people loved? Or pinning it down to certain elements and myopically assuming they needed to double or triple down on that kind of thing? At the end of the day, it could 100% be that it didn’t appeal to me, but everyone else loved it? I’m (thankfully) very far from the only person out there. I don’t really know if there is an easy answer to this. I certainly don’t think I could google it. I’m sure NPR probably has a podcast on your very subject.

This one’s embarrassing. I actually don’t know how bees make honey. I know they collect pollen on their little hairy legs and bring it back to the beehive. Is this a tribute for the queen? Does the queen squirt honey out like soft-serve? Do bees then organise this honey into neat little honeycombs? Then apiarists in faux hazmat suits steal their delicious output and take all the credit? Where does Seinfeld come in?

The ironic part is I was a B science student at best.

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