This might take longer to write than the next Game of Thrones book, but I’m in.

This was a lot easier two years ago. Last year, even. That was all different, but familiar territory. This year marks a new milestone. I’m three years into the longest romantic relationship in my life.

There’s no caveat. I’m not gonna get your hopes up then turn around and be all “KIDDING. I had a longer relationship, but the romance was dead.” I haven’t been together with a partner for three years, period. What’s more, it is still romantic after all this time. I’d say that I love you as much as the day I met you, but that would be a fallacy. I didn’t love you when I met you, I didn’t know you. After three years, I feel like I know you. At least a little. You’ve heard movie characters stating that they can “read [insert person] like a book”? I get it. I finally know how that feels. When we’re together there’s a tacit language beneath the words and expressions. I understand what you’re saying, or when there’s something you’re not saying. When something’s off, it echoes through my bones. Subtext has become natural. I’m not bragging, I know you can see through me too.

The most exciting part is that this in no way means that you’ve run out of surprises. Have you ever found a book that appeals so much that you think it was written with you in mind? A book so rich in character that something new jumps off the page with every skim? It might be a peculiar sentence structure, a bold idea from out of nowhere. The vivid imagery with which its memories are etched. As new chapters appear every day, it’s no wonder you can’t put it down. You crack its spine each chance you get, even if only for minutes at a time. Like the most beguiling contraband. A page or two when the sun wrests open your eyes. A chapter before bed. A few clandestine sentences by moonlight. It’s intoxicating. You can’t wait to have read it in its entirety, but couldn’t bear for it to be over.

If our relationship began in its infancy, it would be talking by now. Growing and maturing, understanding the world around it. The recognition that as old as we felt before, there was so much yet to come. That we’d barely scratched the surface. There is so much yet to come and as each year passes, I appreciate and love you all the more. How adventurous your soul is, game for anything. How your gorgeous visage hides exponential beauty beneath. How boldly you embrace what the world throws your way and smile as it comes. How deep and fierce your emotions run, pulsing through the veins of every direction you take. How sincerely and openly you love, giving of yourself without barriers. How much you care for anything you can. You embrace life with an envious passion and I feel honoured to bask in your warmth.

I cherish writing our story together for this year and many more.

We all knew that was coming, right?

A while back a friend told me of a Vonnegut quote that I think of constantly. I’ve definitely mentioned it on here before, but if my worst case scenario is reminding you, I’m willing to take the consequences. It reads:

“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, ‘If this isn’t nice, I don’t know what is.”

I wrote earlier that I think of it constantly, when really I should’ve instead admitted that I couldn’t think of it often enough. It’s easy to get bogged down by anything that irks you. Every day is a series of microaggressions and interactions that could’ve gone better. Living is anxiety, in that if we had to stop and consider every infraction, we’d find the nearest bridge and a pair of concrete boots.

Conversely, we don’t give enough credit to moments that lift us. Negativity is far easier to feed than the alternative and feeling petty is exponentially more satisfying than contentment. I wonder though, if that’s a function of how much energy we give to that which doesn’t go our way. If we spent more time acknowledging pleasant moments, to carve out those few seconds each time, if we’d notice the difference in our lives.

Take today for instance. Today wasn’t remarkable in any way, but it hasn’t given me anything to complain about. If someone tomorow were to ask me how my weekend was, today would’ve likely factor into my recount. Still, when I think harder about it, I’d almost say it was a perfect Sunday.

I woke next to my girlfriend and we snuggled for a bit. I got up, breezed through public transit and headed for the gym. Without immediate engagements, I didn’t feel remotely rushed. I took my time between sets and really considered which muscle groups I was hitting. While normally I’m bound by evening events or exhausted from work, today I got to spend as long as I wanted without trying to get in and out in about an hour. I left the gym and dawdled around a few shops, then checked out a new Japanese restaurant that opened in Koreatown. It was great, the yakiniku beef was incredibly flavourful, the salad was much more than the usual iceberg lettuce drenched in (admittedly delicious) salad dressing. There was some kind of dried vegetable on the side and the miso soup tasted unusually vibrant. I left satisfied, without a bulging stomach.

I did some fruit and vegetable shopping on my way home. Ten minutes after I arrived, friends came over to play some Magic. We played for hours, the games were interactive with shifting status and tensions. There weren’t huge stalemates, play was fluid and dynamic. We had discussions about the wider metagame and format, then they left and I had the house to myself.

I’ve got a bolognese sauce on the stove which is minutes away. I spent time prepping, listening to music and took advantage of the fresh ingredients I bought earlier. Having tasted it already, it’s gonna be piquant as fuck. Plus the satisfaction of having cooked it myself is an entirely salient taste.

I don’t know what else to say, If this isn’t nice, I don’t know what is.

Maybe I should’ve worn track pants instead?

Reporting back after Steel Rails 2017, “The Locomotion” was not played even once. A travesty if ever there was one. We did, however, get Vag Halen (the Toronto female rock cover band) busting out a series of rock anthems complete with the appropriate quantity of hip gyration. Let’s call it even.

Getting back on track after a year spent off the rails, Steel Rails 2017 was some kinda night. My girlfriend and I made a point to dress for the job we wanted (non-stop partying). She had a big fluffy red crinoline skirt, a lilac and black checkered bustier and her trusty kangaroo backpack. I was clad in my black/rainbow cyberdog leggings, a pink/purple zebra striped bra and my green smoker’s jacket (which I unfortunately discovered was not machine washable. Big time). Arriving at the party departure point, we realised very few others had put as much intention into their garb. We took this as a point of pride. It took a while to get picked up and we ended up leaving maybe half an hour after we’d expected. Of course, we had no idea where we were going, merely that a train would be nearby. Some folks were already tailgating in the parking lot. It was gonna be that kind of night.

We rode around in big yellow school buses and excitedly muttered about where we might go. Not knowing the area, it was anyone’s guess. We also played the traditional bus game of waving to bystanders in the hopes that they’d reciprocate. At some point a kid waved energetically at the bus, but nobody waved back at him. Not on my watch. I waved in an overly exaggerated manner. He saw, literally jumped with excitement and waved back. Five seconds of activity was a small price to pay for making a kid’s day. The bus turned into a parking lot next to a driving range and began to slow down. Okay, things were getting interesting. Next to the range was a large white dome. How enigmatic! We tittered and lined up to go inside. Even at the revolving door entrance, we still had no idea of what was five meters in front of us. It was time, we passed the threshold.

On the inside, the dome was massive. Carpeted in fake turf, there was so much for the eyes to take in. A miniature golf course to the left, a couple of projector screens, a bridge overhead stacked with instruments and audio equipment. There were bars set up around the space, plus a wrestling ring in the middle. A small performance space off to the right, a colourful triangle structure with pillows inside ahead. There was a witching tent and a wheel of fortune style “Find Your Apocalypse” scenario (my world will be destroyed by apes). Booze was by donation, as always. I dropped a $20 in the bucket and went hog wild. I also made sure I grabbed a boozy cherry bourbon sour ice block while I was at it. The food was tasty, but all very fast food. They had woodfire pizzas, a grilled cheese food truck and some legit fish and chips (though I swear we waited in line for 40 minutes to get them). Beer successfully soaked.

Then the train. THE TRAIN. We got on and found ourselves surrounded by Trump. We’d unintentionally settled into the Trump car. “Trump Dollars” taped around the place, dumb trump quotes suspended from the ceiling with his stupid fucking face on them. We were stuck there for a while as the train readied to leave. Plus there was a massive line to the bar in the next car, meaning we couldn’t go anywhere. It was strange, but somehow being a) boozed and b) surrounded by Trumpisms led to a rush of boorishness. A bunch of douches and douchebagguettes yelling. Some women started stuffing Trump Bucks into my bra and waistband. I wouldn’t have cared much if only they’d asked first. We got outta there as quickly as we could and checked out the rest.

Space Car was a welcome reprieve. The windows were all blacked out with tinfoil, then speckled with fairy lights and transparent black sheets to transport us to outer space. A musician created some kind of ambient dream pop sound as she plugged away at her effects machines. Space Car was relatively quiet and wound up being our favourite place to hang. Further on was a crown construction car that I didn’t visit, but my girlfriend came back with a nifty cereal box crown. Down the other end in the only carpeted car was the homecoming dance. A photographer had a wearable sash and led partygoers to pose for shots. The DJ was dropping some pretty great tunes, but shitting fuck was it ever sweaty in there. My girlfriend and I jumped into the “sleeper car” for some private time, only to find signs all over the room telling us we were being watched. I mounted her lap and gave them a show. Some dude walked in and slowly backed away. Damn straight.

We had a blast. The booze and food kept going (though having very few non-beer options this year meant we felt all sorts of bloated) all night. I found that as a guy, wearing a bra with no shirt meant people felt super comfortable coming up and grabbing me without consent. Like, I get that it’s unconventional and funny/weird to see a dude in a bra and it’s not like I was mega standoffish, but asking first would’ve gone a long way. It was a weird crowd all the way down. A bunch of magnanimous folks, some hyper normy spectators (in all likelihood, sponsors), performers, volunteers and others dressed in outlandish couture. There were more rad people than the alternative, but given the previous year I was surprised at how large that shitty minority was. At some point I was butt grinding up on my girlfriend and this woman I’d been chatting with earlier decided it was totally fine to insert herself between us. We both quirked our heads until she moved on, but it was a pretty weird moment.

The experience on the whole, though, was all kinds of choice. Tickets may sell out in an instant, but you can bet your arse I’ll be hitting those rails next year too.

STEEL RAILS FO LYFE.

Any excuse to shake my caboose.

I’m currently at work, but I’m not. Well I am, and aren’t. I took Schrödinger’s commute and logged into my work computer from home. Waking up at 8am, I was at work by 8.10am and ready to start. By merely clicking alt+tab I can zoom to and from my job through the information superhighway. The future is here, now and forever. It also means that as of about 9.30am I was 75% finished my day’s work. It’s so much faster to work without having to physically interact with my co-workers. The cat is my only vocal co-worker and to be honest, she doesn’t know what she’s talking about most of the time. So I’m free to plug away at schedules and log everything without background interference.

Why am I at home today?

Because for the second weekend in a row, I’m going out of town. Lucky me, right? The Earth has taken another lap around the sun and once again Steel Rails is upon us. Steel Rails is an amazing art party/fundraiser held annually by local paper The Community Edition. My girlfriend and I went with friends last year and had an amazing time. We were carted out to a mystery location that turned out to be an empty warehouse surrounded by steel containers. There were huge papier mâché creatures on stilts, people dressed in weird masks. Tons of interactive art exhibits such as styrofoam sculpting and celebrity/food portmanteau creations. Fortune tellers and storytelling events. Musical performances throughout the evening. Also food and drinks galore. Then we all piled back to Chainsaw in Waterloo, the archetypal small town Friday Night bar (with enough fluorescents to attract every barfly in town) and hung out with fun strangers we’d met throughout the event. It was a helluva time.

It was also an unconventional Steel Rails. The format in the past was always to load people onto a train and get them “loaded”. All booze is by donation, which means people get stupid drunk and have a riotous time. Creating a low commotion, if you will. This year, the train is back! So not only do we get to feel all manner of classy drinking on a train, but we also get Snowpiercer re-enactments. I’ll pack my hatchet. I wonder how the sushi is this year…

Because it’s a local community event and because it attracts creative types, the crowd are usually fun Fringe types. Despite the massive quantities of alcohol, I didn’t see much last year in the way of douchebaggery or douchebagguettery. People engaged in the spirit of the party and embraced the weirdness. Saying yes to adventure’s call and seeing where it could go. Last year rumours of a cult started spreading. There were printed pamphlets with trace amounts of info scattered around the event. Over the course of the evening, I not only had people ask me about my own affiliations, but giving impassioned monologues on theirs. The volunteers were all incredibly friendly and helpful and the effect was profound. I’m really excited and can’t wait for this workday to end.

But things could be worse than hanging out at home.

Time will tell as it did in the past.

March 12th 2010. Within the first couple of rows at Vector Arena rocking along to The Pixies. I mean, I was getting into it, but tepidly. According to Setlist.fm they were just finishing up their fourth track, “Manta Ray” from their Complete ‘B’ Sides collection. In short, I didn’t know it so my enthusiasm was more manufactured than authentic. Didn’t matter, I was seeing THE MOTHERFUCKING PIXIES. They finished up, we all clapped and from the stage I heard the opening chords of “Debaser”. Involuntarily, my fist launched straight into the air. Unfortunately, the fist of the dude next to me did too, but at an angle that sped straight for my watch. The strap-holder snapped and my watch fell to the ground. I picked it up, forlorn, then crammed it in my pocket and went back to having a transcendent time at THE MOTHERFUCKING PIXIES. Later in the night my boss pissed on a tree then shook my hands without washing his. Clearly karma was in full force.

I tried fixing the watch. I took it to a jewellery store who glued it all up and put a new pin in. A month or two later the pin fell out. They put another pin in. Then the watch strap-holder cracked again. I wondered whether it was worth repairing again if its destruction was inevitable, or if I should settle for a new watch? I asked a friend of mine. “What about not getting a watch?” He asked. “At this point, having a watch is a fashion decision. You work at a computer. You carry a cellphone with you everywhere. The chances of you not having the time when you need it are relegated to those moments you’re trapped on a desert island and even then you can just whip up a handy dandy sundial.”

He was right. That day I stopped wearing a watch and I’ve never looked back.

The other day my iPod Classic broke. I thought my headphones were buggered, because that’s a thing that happens with alarming regularity. I grumbled and looked for solutions. Friends chipped in with some good ones (like this glorious idea to relieve tension). Then I did the logical thing and tried a different pair of headphones. Once again, my iPod shat the bed. I think that was my third or fourth iPod. It’s the fourth to ultimately die to the same issue. The bloody headphone jack. The right audio channel on my first iPod died. My previous one had issues skipping, pausing and playing through the jack. Then after that was fixed, it suffered the same fate as my first. This most recent one has also faced the same audio channel issue. I could spend $50 to repair it. Now I need to decide what place an iPod has in my life.

The last time I was having this discussion, Spotify wasn’t a viable alternative. If I did skip the iPod for streamable music, I’d be paying $10 a month. Keep in mind I use Spotify at work and home too and enjoy the service. However, I was just about to dump it because I didn’t use it enough. There are alternative services (sadly my beloved Grooveshark is no more) I could use, but not without ads. That’d save me $120+ a year though. Not chump change. Given my shitty phone internet and limited hard drive space, if I went with the phone I’d have to rely on intentionality. I could download a few albums when I was on WiFi and listen to those until I got to another WiFi spot. The iPod on the other hand has an absurdly large catalogue that’s available at a scroll. I can switch it up without having to worry about limited inventory. Spotify does have a huge library, but I’d need to be selective, choosing what I desired for that particular day. The iPod is better for the gym and running, but I’d a) need to pay to get it fixed (with a 6 month guarantee) and remain a two device asshole (looks really dumb on the bus clutching a phone in one hand and scrolling with the other. Hands that is, not cheeks).

Do I stubbornly hold onto something that works, knowing that it’s not a viable option forever? Do I wait until technology catches up (e.g, internet speeds and phone hard drive capacity) to my needs and jump ship then? Or do I thrust my fist blindly into the air knowing that it could hurt in the short term, but work out in the long run?

Guess you’ll have to watch and see…

If I cast far enough, shit might get reel.

Sometimes a moment of clarity will just strike you from out of nowhere. Like a bolt flung from the hands (or tentacles, let’s be real here) of a deity, an epiphany. While I was voicing yesterday, somebody from the station dropped into the studio to hang out. When I came out of the booth, she introduced herself. She asked me my background and what I wanted to do. Without skipping a beat, I replied.

“I want to make podcasts.” I said. “It’s something the opposition does, but we’re really lacking behind.” Someone else chipped in “We have them.” I nodded and replied “we do have them, but the breadth of subject matter is pretty limited, which seems weird considering the vast Intellectual Properties we have access to and our company’s push for consumer engagement. If having a social media presence is so important, why not offer them cause to spend time with us while they work? Give them even more reason to engage with our brands. It’s an intimate, personal medium. Selling the idea to consumers that we’re their friends? It’s hard to buy that kind of marketing. Why not do that?” I stopped ranting. All three people in the room were quiet, nodding.

Where the fuck did that confidence come from?

I’ve had vague ideas about professionally producing podcasts before, but haven’t given it a whole lot of serious consideration. Then all of a sudden that torrent came tumbling out of my mouth. Who would pay me to do it? Where would the funds come from? Today though, I’ve been thinking about it more. Who better than a large corporation? It’s not like they’d have to invest in infrastructure. They have the equipment, the hosting. They can handle traffic and would have umpteen ways to promote it. They have on-air talent. They have content that invites both discussion and promotion. We know that there’s a market for it, given the near ubiquity of podcasting. All it needs is someone to go to bat for it.

I’ve been struggling a bit lately in multiple areas. Aside from near constant impostor syndrome (though I assume this is a universal part of the human condition), I’ve been feeling really down on myself. For years I had a fire burning, mantra of Make it Happen running through my head. I felt indomitable and pushed forward constantly. The past few years have felt like a rut professionally and I’ve started to doubt whether or not I’m a capable person. It’s been harder to get motivated and excited about things. Self-esteem has given way to recursive negative self-talk and I’ve started to stop believing that I deserve opportunities.

This past weekend was spent in the constant company of friends. A couple of them were people I’m quite close with, but most were casual acquaintances. I had an amazing time, but one thing stuck out to me. Almost universally, people there saw me as quick witted and down for anything. They assumed I took chances and opportunities, that I was creative and hard working. Good-natured, compassionate and funny. They saw me as the kind of person I want to be, a person who boldly follows their desires and makes things happen.

I feel like I used to be him. That if circumstances align, I become him again. I realised just how much I want to be as my friends see me. I want to take risks and be okay with failing. I want to put in effort because a lesson learned is the worst outcome. I want so badly to believe in myself again.

If others do, what’s stopping me?

At least I know John Farnham believes in me.

They say if you don’t use it, you lose it. Skills have a habit of atrophying if they’re not flexed regularly. It’s such a waste. If you’ve spent time building them up, it’s important to find an outlet, keep them limber. Which is a roundabout way of saying that it felt pretty fucking great to be back in a voicing studio.

Don’t go getting your hopes up, it was in no way a major deal. Just a nice return to a familiar calling. I met with a guy in radio creative about a job that was up for grabs. I was interested to get back into radio, it’s an industry I’ve always loved. TV is fine, but my heart has truly never left radio. We talked about the job and he admitted that they’d already decided on who they wanted. Applying wouldn’t get me anywhere. He did however notice my accent and asked me if I’d done any voicing. I nodded and told him about my past career in audio production.

He thought for a second and told me about the nationwide company voice bank. There’s a directory of available voices for creatives to go through and find one that’s suitable. They list the type of reads that voices are good at (any accents or specific impressions) and have a few samples of their work. We had the same kind of system back home. It meant that if there was a prized voice in a small market the local producer could record them and send the audio up to another one. My current company didn’t yet have any New Zealand accents in the voice bank. The creative guy sent two scripts my way and brought me down to the studio.

Back when I worked in production, I didn’t do a heap of voicing. Part of it was pragmatic. I knew how to run Pro Tools and record. If I was recording it was easy to see how the read was running for time. I could hear it through the monitors and know if it fit the aim of the script. If I needed to record myself I’d often flick it to record, run into the booth, voice, then run out and stop the recording. It wasn’t the smoothest process, but it got the job done in a pinch. We also had a lot of conventional radio voices on station who got used way more often. This meant I got brought in whenever a weird little character voice was required. Aliens/monsters. Yoda. Impressions, mostly. Or a soft read for some kind of heart strings tugging cause. I always liked it, but would’ve loved to do more than I had the chance to.

I was of course a little rusty today, but not atrophied by any means. We did a bunch of takes, tried assorted reads trying to emphasise different parts of the scripts. We worked on pace and mood. I warmed up. It’s always easiest voicing when you’ve built up a relationship with the producer. You know what they’re looking for and they know how to get the type of read out of you they’re seeking. It was fun, I’d forgotten how much I’d missed it. Trying to properly articulate while also shaving five seconds off a read and emphasising correctly in all the right places. Being back in that booth felt like something clicked. Familiar and comforting. I’d like more of that feeling.

We’ll see if it goes anywhere. With people knowing my voice is available, they can write for it. Fingers crossed I can start building up a portfolio. If eventually I could start booking paid gigs, that’s not something I’d sneeze at. It’s pretty damn lucrative for work I’d enjoy doing. Fingers crossed, pray for Mojo.